ARTISTRY, FLAMBOYANCE & FLAIR were on display on London’s Brick Lane as the Old Truman Brewery played host to a celebration of football shirt culture.

The Art of the Football Shirt, a pop-up exhibition from Jacket Required, delivered a gloriously nostalgic trip through football’s flirtation with graphic design and fashion, whilst looking at the game in it’s social context and place in popular culture.

From the elegant cut and slim stripes of classic 80s and 90s Italian styling to garish efforts from Japan and Mexico, curator Neal Heard explored football’s relationship with music, politics, fashion and design.

In an age of Nike led functional uniformity, where Chelsea’s away strip is just a shade away from Tottenham’s home kit, the collection reminds us of times where football shirts were bespoke creations embracing graphic design and inspiring streetwise fashion labels.

For those attending the two-day exhibit, the items on display transcended sportswear and were more akin to religious artefacts. On entry, visitors were treated to a view of eleven of the game’s most iconic designs.

There was the instantly recognisable rose-red 1966 England World Cup winners shirt. Unsullied by corporate sponsorship, the triumphant top is burned into our collective consciousness even if Bobby and the boys lifted the Jules Rimet Trophy many years before our births.

We wistfully admired the classic West Germany shirt from Italia 1990. A classic from Adidas’ heyday and a shirt so good that even sworn rivals acknowledge it was a bit special.

The brilliant orange of the Dutch 1988 European Championships winners, Denmark’s Mexico ’86 Hummel humdinger, the light blue and white of Argentina and the Brazil 1970 shirt that brought Pele and  joga bonito to the world’s attention in vivid technicolor. All iconic international strips, all rightfully held in the highest of esteem.

Football, the international language of playgrounds, public houses and boardrooms has the incredible ability to prompt middle aged men to openly talk about fashion.

“Oooh. Sampdoria,” they drooled.

“Ah. Nagoya Grampus Eight,” they knowingly nodded.

“Is that bloody Oxford United?” they choked.

The most iconic football shirts are instantly recognisable and familiar the world over. To the initiated, an Ajax or Boca Juniors home shirt is easily identifiable a mile away and although often imitated, the all-white of Real Madrid or the Blaugrana of Barça stand for more than just sport.

For the nostalgic amongst us, the functional template designs of today’s sportswear brands wildly miss the point. Who draws pride in a shirt that’s sole purpose is to draw sweat away from the body? The uniform blandness of modern designs leads us to the unwritten rule that no man past voting age should ever wear a football shirt in public other than to watch his team at a major final. Give me Umbro’s Euro 96 grey of Gareth Southgate over Nike’s navy blue of today’s England away strip any day.

The Art of the Football Shirt was an opportunity to celebrate rivalries and tribal colours where the majestic Manchester United “snowflake” sat shoulder-to-shoulder with the silver sartorial elegance of Liverpool’s “Candy” away shirt.

As much as there were glaring omissions (who could ignore the 20th century’s greatest moment of design flair? No not the Coca-Cola bottle. The QPR home shirt?) this was a chance to marvel at our game at its most beautiful.

The Art of the Football Shirt ran for two days between 26/27 July 2017. Neal Heard’s book, The Football Shirt Book: A Connoisseur’s Guide will be released in September.

The fantastic Flamengo “Dennis the Menace” shirt